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<channel>
	<title>US Art Auction &#187; Pop Artists</title>
	<atom:link href="http://us-art-auction.com/tag/pop-artists/feed/" rel="self" type="application/rss+xml" />
	<link>http://us-art-auction.com</link>
	<description>Everything is beautiful. Pop is everything</description>
	<lastBuildDate>Thu, 09 Sep 2010 01:21:48 +0000</lastBuildDate>
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			<item>
		<title>Istantanea Festival 2008 #1</title>
		<link>http://us-art-auction.com/istantanea-festival-2008-1/</link>
		<comments>http://us-art-auction.com/istantanea-festival-2008-1/#comments</comments>
		<pubDate>Thu, 06 May 2010 09:55:40 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[2008]]></category>
		<category><![CDATA[Cameras]]></category>
		<category><![CDATA[Emulsion]]></category>
		<category><![CDATA[Emulsions]]></category>
		<category><![CDATA[Everyday Life]]></category>
		<category><![CDATA[Expressive Tool]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Helmut Newton]]></category>
		<category><![CDATA[Instant Photography]]></category>
		<category><![CDATA[Istantanea]]></category>
		<category><![CDATA[Nobuyoshi Araki]]></category>
		<category><![CDATA[Ordinary People]]></category>
		<category><![CDATA[Photographers]]></category>
		<category><![CDATA[Polaroid]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Processing Lab]]></category>
		<category><![CDATA[Whole Lot]]></category>

		<guid isPermaLink="false">http://us-art-auction.com/istantanea-festival-2008-1/</guid>
		<description><![CDATA[					
					
Polaroid is 60 years old. Used by Andy Warhol, loved by Helmut Newton, Nobuyoshi Araki and many others, Instant Photography was the symbol of an era. With instant emulsion, photography was also to become an expressive tool for pop artists, an immediate means to capture any aspect of everyday life. It can be used by [...]


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Polaroid is 60 years old. Used by Andy Warhol, loved by Helmut Newton, Nobuyoshi Araki and many others, Instant Photography was the symbol of an era. With instant emulsion, photography was also to become an expressive tool for pop artists, an immediate means to capture any aspect of everyday life. It can be used by anyone, artists, children and ordinary people; there is no longer any need to take the film to the processing lab, all it takes is to wait a few seconds to see the image taken moments before appear before your very eyes. Even though instant photography will always be seen in terms of the Polaroid, many photographers today produce their own instant emulsions and cameras. It&#8217;s only an instant print, but it makes a whole lot of difference.</p>

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		</item>
		<item>
		<title>Lilac Mural Project</title>
		<link>http://us-art-auction.com/lilac-mural-project/</link>
		<comments>http://us-art-auction.com/lilac-mural-project/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 03:21:49 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[Art Culture]]></category>
		<category><![CDATA[Art Mural]]></category>
		<category><![CDATA[Art Work]]></category>
		<category><![CDATA[Bart Station]]></category>
		<category><![CDATA[Cartoon Art]]></category>
		<category><![CDATA[Cartoonist]]></category>
		<category><![CDATA[Cooperative Project]]></category>
		<category><![CDATA[Criminal Behavior]]></category>
		<category><![CDATA[Graffiti Writers]]></category>
		<category><![CDATA[Lilac]]></category>
		<category><![CDATA[Mural]]></category>
		<category><![CDATA[Mural Project]]></category>
		<category><![CDATA[Mural Work]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Project]]></category>
		<category><![CDATA[San Francisco Women]]></category>
		<category><![CDATA[Vandalism]]></category>
		<category><![CDATA[Women Artists]]></category>

		<guid isPermaLink="false">http://us-art-auction.com/lilac-mural-project/</guid>
		<description><![CDATA[					
					
The Lilac Mural Project,displayed along the walls along the Lilac Alley, located right off the 24th Street BART Station in the Mission District. A quiet colorful pop art mural work of a group of San Francisco women artists, who got inspired by graffiti &#038; cartoon art. In this cooperative project, local graffiti writers collaborated with [...]


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The Lilac Mural Project,displayed along the walls along the Lilac Alley, located right off the 24th Street BART Station in the Mission District. A quiet colorful pop art mural work of a group of San Francisco women artists, who got inspired by graffiti &#038; cartoon art. In this cooperative project, local graffiti writers collaborated with cartoonist &#038; pop artists in this visual concept, proving that with the consent of a community, graffiti can be an art culture, instead of a criminal behavior associated with vandalism. For more information: www.missionart415.com Music My Immortal by Evanescence **************************************** ************************* Copyright 2008 © CCDVProductions.com</p>

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		<title>Robert Hughes &#8211; American Visions &#8211; Episode 7 (part 4/5)</title>
		<link>http://us-art-auction.com/robert-hughes-american-visions-episode-7-part-45/</link>
		<comments>http://us-art-auction.com/robert-hughes-american-visions-episode-7-part-45/#comments</comments>
		<pubDate>Fri, 02 Apr 2010 02:39:50 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Pop Art Misc]]></category>
		<category><![CDATA[1970s]]></category>
		<category><![CDATA[American]]></category>
		<category><![CDATA[American Visions]]></category>
		<category><![CDATA[Claes Oldenburg]]></category>
		<category><![CDATA[Empire Of Signs]]></category>
		<category><![CDATA[Episode]]></category>
		<category><![CDATA[Hughes]]></category>
		<category><![CDATA[James Rosenquist]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[part]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Robert]]></category>
		<category><![CDATA[Robert Hughes]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Romare Bearden]]></category>
		<category><![CDATA[Visions]]></category>

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		<description><![CDATA[					
					
&#8220;The Empire of Signs&#8221; (Episode Seven) the visit with Robert Rauschenberg continues Romare Bearden, jazz with pictures. an interview with Claes Oldenburg, &#8220;the best of the pop artists in the 1970s.&#8221; James Rosenquist clip is shown go here to playlist of all episodes of &#8220;American Visions&#8221;: www.youtube.com



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&#8220;The Empire of Signs&#8221; (Episode Seven) the visit with Robert Rauschenberg continues Romare Bearden, jazz with pictures. an interview with Claes Oldenburg, &#8220;the best of the pop artists in the 1970s.&#8221; James Rosenquist clip is shown go here to playlist of all episodes of &#8220;American Visions&#8221;: www.youtube.com</p>

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		</item>
		<item>
		<title>Nancy, de and Monocle Story cont. (AP)</title>
		<link>http://us-art-auction.com/nancy-de-and-monocle-story-cont-ap/</link>
		<comments>http://us-art-auction.com/nancy-de-and-monocle-story-cont-ap/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 13:41:41 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[cont.]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Monocle]]></category>
		<category><![CDATA[Nancy]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Story Cont]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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		<title>Getting Ready with Nancy and de (BM)</title>
		<link>http://us-art-auction.com/getting-ready-with-nancy-and-de-bm/</link>
		<comments>http://us-art-auction.com/getting-ready-with-nancy-and-de-bm/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 09:39:44 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[Dissension]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[Getting]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Michael Thomas]]></category>
		<category><![CDATA[Nancy]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[READY]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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		<item>
		<title>Not for Sale by Emile de Antonio (BU)</title>
		<link>http://us-art-auction.com/not-for-sale-by-emile-de-antonio-bu/</link>
		<comments>http://us-art-auction.com/not-for-sale-by-emile-de-antonio-bu/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 05:40:54 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Antonio]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[Dissension]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Emile]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Michael Thomas]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Sale]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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		<title>False Documentation by Emile de Antonio (AI)</title>
		<link>http://us-art-auction.com/false-documentation-by-emile-de-antonio-ai/</link>
		<comments>http://us-art-auction.com/false-documentation-by-emile-de-antonio-ai/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 01:40:43 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Antonio]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Documentation]]></category>
		<category><![CDATA[Emile]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[False]]></category>
		<category><![CDATA[False Documentation]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Michael Thomas]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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			<content:encoded><![CDATA[<p>					<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/X2bycaVTkxA?fs=1"></param><param name="allowFullScreen" value="true"></param>
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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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		<title>RICHTER FINE ARTS presenting MEL RAMOS &amp; 11 POP ARTISTS &#124; Vernissage 30.01.2010</title>
		<link>http://us-art-auction.com/richter-fine-arts-presenting-mel-ramos-11-pop-artists-vernissage-30-01-2010/</link>
		<comments>http://us-art-auction.com/richter-fine-arts-presenting-mel-ramos-11-pop-artists-vernissage-30-01-2010/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 22:48:40 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Roy Lichtenstein]]></category>
		<category><![CDATA[30.01.2010]]></category>
		<category><![CDATA[Amp]]></category>
		<category><![CDATA[Artists]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Bielefeld]]></category>
		<category><![CDATA[Fine]]></category>
		<category><![CDATA[Fine Arts]]></category>
		<category><![CDATA[Immobilien]]></category>
		<category><![CDATA[Lichtenstein]]></category>
		<category><![CDATA[Mel Ramos]]></category>
		<category><![CDATA[Mint Condition]]></category>
		<category><![CDATA[Mit]]></category>
		<category><![CDATA[Neue Galerie]]></category>
		<category><![CDATA[Perfekten]]></category>
		<category><![CDATA[Pop Art]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[presenting]]></category>
		<category><![CDATA[RAMOS]]></category>
		<category><![CDATA[RICHTER]]></category>
		<category><![CDATA[Vernissage]]></category>
		<category><![CDATA[Vol 1]]></category>
		<category><![CDATA[Warhol]]></category>
		<category><![CDATA[Wesselmann]]></category>

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		<description><![CDATA[					
					
Gehen Sie jetzt auf www.richterfinearts.de und entdecken Sie auch www.partoutfinearts.de. Oder nehmen Sie direkt Kontakt auf: moch@partoutfinearts.de &#8211; RICHTER FINE ARTS zeigt ab dem 30.01.2010 die Sammlermappe 11 POP Artists &#124; Vol. 1? und damit Warhol, Ramos, Lichtenstein, Wesselmann und Co.! Legen Sie den perfekten Grundstein für Ihre Pop Art Sammlung mit signierten Originalgrafiken. Wir [...]


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Gehen Sie jetzt auf www.richterfinearts.de und entdecken Sie auch www.partoutfinearts.de. Oder nehmen Sie direkt Kontakt auf: moch@partoutfinearts.de &#8211; RICHTER FINE ARTS zeigt ab dem 30.01.2010 die Sammlermappe 11 POP Artists | Vol. 1? und damit Warhol, Ramos, Lichtenstein, Wesselmann und Co.! Legen Sie den perfekten Grundstein für Ihre Pop Art Sammlung mit signierten Originalgrafiken. Wir zeigen die Editionsnummer 54 von 200 in einem heute seltenen, absolut tadellosen Zustand (mint condition). Neben der Sammlermappe 11 POP Artists sehen Sie bei RICHTER FINE ARTS ebenfalls in der Zeit vom 30.01.2010 bis 14.03.2010 Originale und signierte Drucke von MEL RAMOS, der auch selber zu den 11 POP Artists zählt. &#8211; RICHTER FINE ARTS ist die neue Galerie in Bielefeld mit festem Standort in der Hagenbruchstrasse 10. PARTOUT FINE ARTS ist überall. Eine Galerie, tausend Standorte. Immer in Top-Immobilien, immer neu, immer anders, immer ein Erlebnis, immer PFA! Wir setzen alles daran, unseren Kunden und Partnern nur die Crème de la Crème der Kunstszene in einem aufregenden Mix mit vielversprechenden Nachwuchstalenten zu präsentieren.</p>

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		<item>
		<title>Hoover&#8217;s Files by Emile de Antonio (AC)</title>
		<link>http://us-art-auction.com/hoovers-files-by-emile-de-antonio-ac/</link>
		<comments>http://us-art-auction.com/hoovers-files-by-emile-de-antonio-ac/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 21:37:26 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Antonio]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[Dissension]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Emile]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[Files]]></category>
		<category><![CDATA[Hoover's]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Michael Thomas]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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		<title>Nancy, de and Monocle Story (AW)</title>
		<link>http://us-art-auction.com/nancy-de-and-monocle-story-aw/</link>
		<comments>http://us-art-auction.com/nancy-de-and-monocle-story-aw/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 17:48:24 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Jasper Johns]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Army Mccarthy Hearings]]></category>
		<category><![CDATA[Art Scene]]></category>
		<category><![CDATA[Beat Generation]]></category>
		<category><![CDATA[Compilation Film]]></category>
		<category><![CDATA[Dissension]]></category>
		<category><![CDATA[Documentary Films]]></category>
		<category><![CDATA[Emile De Antonio]]></category>
		<category><![CDATA[Joseph Mccarthy]]></category>
		<category><![CDATA[Michael Thomas]]></category>
		<category><![CDATA[Monocle]]></category>
		<category><![CDATA[Nancy]]></category>
		<category><![CDATA[Pop Artists]]></category>
		<category><![CDATA[Producer Michael]]></category>
		<category><![CDATA[Rexer]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Ron Mann]]></category>
		<category><![CDATA[Rush To Judgment]]></category>
		<category><![CDATA[Scranton Pennsylvania]]></category>
		<category><![CDATA[Spyros]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[World War Ii]]></category>

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		<description><![CDATA[					
					
Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called [...]


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Excerpt from Mr. Hoover and I by Emile de Antonio, writer, director and producer of documentary films, usually detailing political or social events circa 1960s &#8211; 1980s. He was born in 1919 in Scranton, Pennsylvania. He attended Harvard with John F. Kennedy and would later go on to make a film about Kennedy&#8217;s assassination called Rush to Judgment. After serving in the military during World War II, de Antonio frequented the art crowd, often associating with such Pop artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol, in whose film Drink de Antonio appears. De Antonio chronicled this art scene in his documentary Painters Painting (1972). In 1959 de Antonio developed G-String Productions in order to distribute the Beat Generation film Pull My Daisy. It was at this time that de Antonio discovered filmmaking. His first film, Point of Order, a compilation film made in 1964, regards Joseph mccarthy and the Army-mccarthy hearings. De Antonio went on to make many politically motivated films that attracted a substantial amount of controversy and also tended to align himself with Marxist thought. Most, if not all, of his films criticize aspects of American culture or politics or reflect a certain degree of political dissension, because of which, along with his Marxist affiliation, the FBI documented 10000 pages of de Antonio&#8217;s activities. Camera: Morgan Wesson, Mathew Mindlin. 2nd Unit: William Rexer. Editor: George Spyros. Assoc. Producer: Michael Thomas. Special Thanks: Ron Mann</p>

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