


This is a time lapse video of me creating a new pop art painting entitled “Sales Tools” TO buy this piece or see more go to: www.Fidostudio.com http (more)
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OLYMPUS PEN E-P1 MOVIE TEST – ART FILTER Lens : 17mm F2.8 AF : C-AF Handheld ART Filter : 1. POP ART 2. SOFT FOCUS 3. PALE & LIGHT COLOR 4. LIGHT TONE 5. GRAINY FILM 6. PIN HOLE
Ciao a tutte! Ecco il nuovo video in collaborazione con mgmagazine, questa volta ispirazione Pop Art! Spero che vi piaccia e che vi divertiate a guardarlo anche se sembro una cocorita conciata così ^_^ Un bacio a tutte!! www.mgmagazine.it Ogni prodotto menzionato in questo video è stato acquistato da me e le opinioni espresse in merito a tali prodotti sono frutto della mia personale esperienza. Non ho alcun tipo di legame con aziende cosmetiche e non sono stata pagata per pubblicizzare o recensire nessun prodotto. Disclaimer:All the products mentioned in the video and in the video description were purchased by me. I am not getting paid by those cosmetic companies nor i am in any way affiliated with them, these are only my personal opinion.
PAINTBALL POP ART | multicámara
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Para que vean que no hay efectos especiales
solo gente con actitud | Cómo te comas el mundo del arte depende de ti www.bonyurt.com
Philip Guston (1913 – 1980) started as a muralist; later he joined the Abstract Expressionists from New York; he was a close friend of Pollock and De Kooning. In the sixties he changed completely his style and became kind of a Hyperrealist (without being properly a Hyperrealist), or kind of of Pop (without being properly Pop Art), or kind of Dada (without being properly a Dadaist). In other words, he became his own guy. He explained once that he had become tired of the purity of Abstractionism and desired to tell stories again. My first encounter with his art was at the Phillips Collection: the drawing of a hand with six fingers! Now, they arranged two rooms for his art works at the Washington National Gallery. (Musical Background: Schubert, Notturno in E Flat Major for Piano Trio, Op. 148, D. 897, performed by Leonard Hokanson and the Ensemble Villa Musica)
