www.marianland.com Still-Life, arranged by Anton Mauve and executed by Van Gogh, December 1881, Vincent van Gogh: View from his atelier in The Hague, watercolour, The Potato Eaters (1885), Skull with a Burning Cigarette , oil on canvas, 1885, Vincent van Gogh, pastel drawing by Henri de Toulouse-Lautrec, 1887, Still Life: Vase with Twelve Sunflowers, August 1888 (Neue Pinakothek, Munich, The Café Terrace on the Place du Forum, Arles, at Night, September 1888, The Red Vineyard (November 1888), Pushkin Museum, Moscow). Sold to Anna Boch, 1890, The Starry Night, June 1889 (The Museum of Modern Art, New York, Portrait of Dr. Gachet was sold for 82.5 million US dollars, current whereabouts unknown, Vincent and Theo van Gogh’s graves at the cemetery of Auvers-sur-Oise, Still Life with Absinthe (1887), the Hermitage Museum was painted six weeks before the artist’s death, at around eight o’clock on 16 June 1890, as astronomers determined by Venus’s position in the painting, Patch of Grass, (1887), The Blooming Plumtree (after Hiroshige), (1887), Portrait of Père Tanguy, (1887), Cherry Tree, (1888), The Old Mill, (1888), The Harvest, Arles, (1888), Bridge at Arles, (1888), View of Arles with Irises, (1888), The Rhônebarken, (1888), Starry Night Over the Rhone, (1888), Joseph Roulin, (the Postmaster), (1888), The Night Café, (1888), Yale, Bedroom in Arles, (1888), Van Gogh Museum, Cypresses, (1889), Cornfield with Cypresses, (1889), View of Arles (Flowering Orchards), (1889), The …
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Widely known for innovative installations such as Sleepwalkers, presented at the Museum of Modern Art, New York, in 2007, Doug Aitken utilizes a wide array of media and artistic approaches, leading us into a world where time, space, and memory are fluid concepts. Catherine Opie is engaged in issues of documentary photography and in how aspects of identity and collective behaviors are shaped by architecture. A Professor of Photography at UCLA, Opie was featured in a solo exhibition at the Guggenheim Museum in New York in 2008. Conversations on Urban China was co-organized and moderated by Sylvia Lavin, Director of Critical Studies and MA/PhD programs in UCLA’s Department of Architecture and Urban Design. Professor Lavin is a leading figure in current debates, known for her scholarship in contemporary architecture and design. She has published in leading journals of the field, and her book Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture was published in 2005.
Projects 88: Lucy McKenzie, MoMA
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For more information, please visit: moma.org and moma.org Projects 88: Lucy McKenzie | September 10-December 1, 2008 Music courtesy of Justice and HydrogenDukebox More information available at www.HydrogenDukebox.com © 2008 The Museum of Modern Art, New York
For more information please visit moma.org A discussion with Spike Jonze, Lance Mountain, Mark Gonzales, Greg Hunt, Ty Evans, Jake Phelps, Ed Templeton, Tobin Yelland, with a live performance by No Age. Produced by Patrick O’Dell. Video shot and edited by Harrison Owen/Fingered Media © 2010 The Museum of Modern Art, New York
Alexandre Arrechea
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Contemporary Links 5—Alexandre Arrechea: Scalpel and Cotton June 30–October 14, 2007 SDMA’s acclaimed Contemporary Links series continues with its fifth installment, featuring Cuban artist Alexandre Arrechea. This multi-faceted project reflects on the culture of security systems and surveillance in museums and includes a large-scale sculpture and photo-mural, as well as five drawings. Each piece incorporates details from one of four important modern Latin American works from SDMA’s collection. By putting these details in a new context, the artist exposes the similarities and differences between his artistic ideas and the use of popular symbols within Latin American art. Arrechea’s work will be displayed alongside Leopoldo Mendez’s engraving The Graineries (1930), Diego Rivera’s watercolor, The Head of a Peasant (1935), and two Rivera oil paintings, Mandrágora (1939) and Hands of Dr. Moore (1940). Alexandre Arrechea was born in Trinidad, Cuba, in 1970 and graduated from the prestigious Instituto de Arte Superior in Havana in 1994. From 1994 to 2003, he was a member of the internationally-recognized Cuban artist group Los Carpinteros. Arrechea has been working as a solo artist since 2003 and has exhibited his pieces in many exhibitions. His work is included in the collections of the Museum of Modern Art, New York; Los Angeles County Museum of Art; and Museo Nacional Centro de Arte Reina Sofia, Madrid, among others. Now in its fifth year, SDMA’s annual Contemporary Links …