03 1st, 2010


fluorescent gouache painting with animation, composed music, this is a tribute to the 1960s, the Fine Artist Peter Max was my favorite

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from the 1969 album Where’s My Daddy?. The West Coast Pop Art Experimental Band was an American psychedelic rock band of the late 1960s, based in Los Angeles, California.

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02 24th, 2010


fluorescent gouache painting with animation, composed music, this is a tribute to the 1960s, the Fine Artist Peter Max was my favorite

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02 13th, 2010


Its been said that Sturtevant is the only artist who cant be copied—but she is best known for making repetitions of works by artists such as Joseph Beuys, Marcel Duchamp, Andy Warhol, Frank Stella, and Jasper Johns. She began this practice in the 1960s—some 20 years before strategies of appropriation marked the American art world of the 1980s. The brutal truth is they are not copies; the push and shove is interior movement; the dynamics are the jetting of representation, says Sturtevant of her work. Her intentions are to create space for new thinking, to trigger thinking. During this rare appearance, the artist will discuss the philosophical base of this radical and influential work and the discourse on the imposition of our cybernetic world and the zip zap of our digital world with its dangerous potent power. Sturtevants Beuys Fat Chair is prominently featured in The Quick and the Dead, an experimental exhibition that considers the romantic legacy of conceptual art through works by an international roster of 53 artists.

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James Kalm reports on the American debut of Arman: Accumulation of Friends, at the French Institute (Aliance Française), curated by Gabrielle Bryers. This exhibition features intimate portraits taken by this renowned artist during the 1960s and 1970s, including photos of Andy Warhol, Robert Rauschenberg, Marcel Duchamp, Jasper Johns et al. Featuring Gabrielle Bryers discussing her curation of the exhibit.

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