Archive for the 'Art' Category
Scholarships for Artists
Author:03 22nd, 2009
Cory Davis asked:
It used to be that parent’s discouraged their kids from becoming artists. Now, the world of art is broad and can be very lucrative. And if you need another reason to convince your parents you want to go to art school, there are many schools offering scholarships and funding.
Art scholarships run the gamut from drawing to painting to photography to design and even include art of the culinary, musical and literary variety. Many art scholarships are specific to a particular state, county, or even a college in addition to the art major or art interest/ability requirement.
To get you started, here are some resources:
• Your University: Most Art Departments offer scholarships to students attending their schools, either directly through the school or through business, benefactors and foundations that support the school. Many schools also offer them to prospective students.
If you’re attending or planning to attend a university, contact your Program Advisor to ask what scholarships may be available through the school or department (if you’re already attending, definitely check in with your Art Instructors, too!). Don’t forget to look for scholarship opportunities on the university department’s web site or on a bulletin board near the Art Department office on-campus, where they also are often posted. Here are some typical departmental scholarship listings:
Baum School of Art
Birmingham Southern College
Cranbrook Academy of Art
Goshen College
Hendrix College
St. Lawrence University
Most universities do offer scholarships to students attending their schools. That’s because they really, really want to keep you there. These kinds of scholarships are the easiest to find out about, but somehow overlooked by many students who could benefit greatly from the funding…and from the prestige of winning!
Just to reinforce this idea of funding from your university or college, the Department of Education reports that at public universities, scholarship and fellowship expenditures have risen consistently from 1980 through 1995.
This may be an indication that there are opportunities waiting for you. Again, at the very least, you should ask your Advisor about other sources if there are none available at your university for your circumstance.
• L. Ron Hubbard Illustrators of The Future Contest. Established in 1988, the L. Ron Hubbard Illustrators of The Future Contest is an ongoing merit competition for new and amateur artists. Run on a quarterly basis, an eligible entry is comprised of three science fiction/fantasy illustrations done in a black & white medium rendered from the artist’s imagination. Should the artist win with this entry, he is then sent a story from the companion L. Ron Hubbard Writers of The Future Contest for which to render an illustration. This illustration then becomes his or her entry in the yearly Grand Prize competition. More
• Liberty Graphics Art Scholarship – Liberty Graphics is a Maine company, designing and printing t-shirts with concern for the environment. We are committed to the local economy and wish to encourage local talent. Liberty Graphics conducts a yearly juried art contest, and presents the winner with a $1000 award. The contest is open only to high school seniors who are a resident of Maine. Each year the contest theme may change. This year the contest title is “Art and Our Natural Environment”. Entries should reflect an appreciation of our natural environment. More
• NFAA Arts Recognition and Talent Search ARTS (Arts Recognition and Talent Search®) is NFAA’s core program. ARTS identifies high school seniors and other 17 and 18 year old artists in the disciplines of Dance, Film and Video, Jazz, Music, Photography, Theater, Visual Arts, Voice and Writing for scholarships and financial support. Through ARTS, NFAA annually awards up to $900,000 in cash awards (with individual awards ranging from $10,000 – $100)and makes available $3 million in scholarship opportunities to America’s most outstanding high school senior-age artists through its Scholarship List Service (SLS). More
• The Scholastic Art Awards -The Scholastic Art Awards honor students currently enrolled in grades 7-12, recognizing about 50,000 regional winners. Nationally, 800 young artists’ individual works receive Gold and Silver awards in each of 14 art categories. Art Categories are: animation, ceramics & glass, computer art, design, digital imagery, drawing, mixed media, painting, photography, printmaking, sculpture and video & film. Graduating high school seniors seeking scholarships must submit a body of eight works of art or photography for Portfolio Awards to their regional office of The Awards. More
• The WorldStudio Foundation Scholarship – Applicants must be pursuing an undergraduate or graduate degree in the fine or commercial arts, design or architecture – one or more of the design/arts disciplines below – and plan to enter a career in the creative professions. Applicants must be matriculated (or planning to matriculate) at accredited colleges and universities in the United States for the fall of the coming academic year and intend on maintaining full-time status for the entire year. International students studying at accredited colleges and universities in the United States may apply. More
• Charitable Foundations – The competition to receive funding from charitable foundations is pretty stiff, even from the local ones. That’s because they do a very good job of soliciting applicants, and the awards are often larger than the smaller groups. Nevertheless, there are hundreds of these organizations giving away millions of dollars every year. If you know of any locally, you should inquire. Or, you can take a glance at these, too:
• National Foundations -Andy Warhol Foundation, Donna Reed Foundation for the Performing Arts, Jackie Robinson Foundation
You can see that there’s a lot of work involved just to find these opportunities…but that’s nothing compared to the work you’ll need to put in to win them.
Bottom line: There’s plenty of scholarship money available in the arts. You just need to show that you’re worth the investment. And, if you are dedicated to pursuing a career in the arts, you may even enjoy the work it takes to stand out from the crowd anyway.
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It used to be that parent’s discouraged their kids from becoming artists. Now, the world of art is broad and can be very lucrative. And if you need another reason to convince your parents you want to go to art school, there are many schools offering scholarships and funding.
Art scholarships run the gamut from drawing to painting to photography to design and even include art of the culinary, musical and literary variety. Many art scholarships are specific to a particular state, county, or even a college in addition to the art major or art interest/ability requirement.
To get you started, here are some resources:
• Your University: Most Art Departments offer scholarships to students attending their schools, either directly through the school or through business, benefactors and foundations that support the school. Many schools also offer them to prospective students.
If you’re attending or planning to attend a university, contact your Program Advisor to ask what scholarships may be available through the school or department (if you’re already attending, definitely check in with your Art Instructors, too!). Don’t forget to look for scholarship opportunities on the university department’s web site or on a bulletin board near the Art Department office on-campus, where they also are often posted. Here are some typical departmental scholarship listings:
Baum School of Art
Birmingham Southern College
Cranbrook Academy of Art
Goshen College
Hendrix College
St. Lawrence University
Most universities do offer scholarships to students attending their schools. That’s because they really, really want to keep you there. These kinds of scholarships are the easiest to find out about, but somehow overlooked by many students who could benefit greatly from the funding…and from the prestige of winning!
Just to reinforce this idea of funding from your university or college, the Department of Education reports that at public universities, scholarship and fellowship expenditures have risen consistently from 1980 through 1995.
This may be an indication that there are opportunities waiting for you. Again, at the very least, you should ask your Advisor about other sources if there are none available at your university for your circumstance.
• L. Ron Hubbard Illustrators of The Future Contest. Established in 1988, the L. Ron Hubbard Illustrators of The Future Contest is an ongoing merit competition for new and amateur artists. Run on a quarterly basis, an eligible entry is comprised of three science fiction/fantasy illustrations done in a black & white medium rendered from the artist’s imagination. Should the artist win with this entry, he is then sent a story from the companion L. Ron Hubbard Writers of The Future Contest for which to render an illustration. This illustration then becomes his or her entry in the yearly Grand Prize competition. More
• Liberty Graphics Art Scholarship – Liberty Graphics is a Maine company, designing and printing t-shirts with concern for the environment. We are committed to the local economy and wish to encourage local talent. Liberty Graphics conducts a yearly juried art contest, and presents the winner with a $1000 award. The contest is open only to high school seniors who are a resident of Maine. Each year the contest theme may change. This year the contest title is “Art and Our Natural Environment”. Entries should reflect an appreciation of our natural environment. More
• NFAA Arts Recognition and Talent Search ARTS (Arts Recognition and Talent Search®) is NFAA’s core program. ARTS identifies high school seniors and other 17 and 18 year old artists in the disciplines of Dance, Film and Video, Jazz, Music, Photography, Theater, Visual Arts, Voice and Writing for scholarships and financial support. Through ARTS, NFAA annually awards up to $900,000 in cash awards (with individual awards ranging from $10,000 – $100)and makes available $3 million in scholarship opportunities to America’s most outstanding high school senior-age artists through its Scholarship List Service (SLS). More
• The Scholastic Art Awards -The Scholastic Art Awards honor students currently enrolled in grades 7-12, recognizing about 50,000 regional winners. Nationally, 800 young artists’ individual works receive Gold and Silver awards in each of 14 art categories. Art Categories are: animation, ceramics & glass, computer art, design, digital imagery, drawing, mixed media, painting, photography, printmaking, sculpture and video & film. Graduating high school seniors seeking scholarships must submit a body of eight works of art or photography for Portfolio Awards to their regional office of The Awards. More
• The WorldStudio Foundation Scholarship – Applicants must be pursuing an undergraduate or graduate degree in the fine or commercial arts, design or architecture – one or more of the design/arts disciplines below – and plan to enter a career in the creative professions. Applicants must be matriculated (or planning to matriculate) at accredited colleges and universities in the United States for the fall of the coming academic year and intend on maintaining full-time status for the entire year. International students studying at accredited colleges and universities in the United States may apply. More
• Charitable Foundations – The competition to receive funding from charitable foundations is pretty stiff, even from the local ones. That’s because they do a very good job of soliciting applicants, and the awards are often larger than the smaller groups. Nevertheless, there are hundreds of these organizations giving away millions of dollars every year. If you know of any locally, you should inquire. Or, you can take a glance at these, too:
• National Foundations -Andy Warhol Foundation, Donna Reed Foundation for the Performing Arts, Jackie Robinson Foundation
You can see that there’s a lot of work involved just to find these opportunities…but that’s nothing compared to the work you’ll need to put in to win them.
Bottom line: There’s plenty of scholarship money available in the arts. You just need to show that you’re worth the investment. And, if you are dedicated to pursuing a career in the arts, you may even enjoy the work it takes to stand out from the crowd anyway.
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read comments (0)Can a Volvo be Art?
Author:03 20th, 2009
Mark Creese asked:
Andy Warhol once said that art is “what you can get away with”. Art is one of the areas of our culture that divides opinion more than anything else and finds its way into more and more of our buildings and products. One man’s love of the Gherkin building in London is polarised with those who feel it is a blot on the skyline. Increasingly the car world is producing cars that appear to be a direct copy of a child’s scribble in their school book. One company you cannot level this accusation at is Volvo.
The Swedish firm have always put substance over style and produce bricks on wheels that are super safe, super reliable and super practical. Even the ‘hot’ performance version of their estate – the T5 looked virtually identical to the base model, it just happens to be so fast and usable the police in Britain all use them. It’s ever so boring to look at though. In fact I’d rather have the police version – at least all the high visibility stickers and chequered side panels give it a bit more flair. The blue lights would get me to work far quicker too I’m sure.
Imagine my surprise this week then when the brochure for the new Volvo C30 was waiting for me when I got home. Let’s just say the bruise on my head from when I fainted is healing well, thanks for the concern. You see, all I said above has seemingly been rendered irrelevant. Art for the road and for the masses is here, and it’s a Volvo. The realisation that the world wasn’t flat I’m guessing was a bit of a shock, but it couldn’t have been too dissimilar to the first time I opened the Volvo brochure.
Volvo have played safe with the front end of the C30, giving it the usual executive look of the Swedish manufacturer and then gone bonkers with the rest of it. Describing the C30 is like attempting to describe a Monet painting, but I’ll try my best. It looks a bit hazy with long, broad brush stokes and can only really be appreciated from a distance as up-close shows the flaws in the work. The Monet isn’t bad either.
Seriously though, the C30 is brilliant to look at. The rear end is the perfect ying to the front end’s yang. The lights start where you’d expect them to, halfway up and on the curvaceous bulge that grows as it travels from the bonnet to the back end. The lights then go on an upward journey that goes all the way to the roofline. A spoiler joins the two sets of lights and will probably add down force if you ask Volvo. For me it just adds the touch of perfection on an already stunning view of the car. Forget Kylie Minogue and J-Lo, the C30 has the best rear end I’ve ever seen.
The Volvo C30 sits comfortably in two markets thanks to its styling. It’s a coupe one minute and a funky hatchback the next. The danger with any car that attempts to be two things at once is that it fails to do a good enough job with either. Thankfully the C30 is happy to oblige to whichever need you’re after. Volvo being Volvo, they offer so many engine and trim options that you can transform the C30 into a snarling tarmac eating Coupe or economical family hatchback with a tick or two on the options list.
Obviously one look at the C30 screams ‘practicality not considered’ which is partially true. Other competitors in its class offer more rear legroom and boot space but bland styling so it’s the compromise you’ll have to make one way or the other. The C30 drives very well and has a similar chassis to that of the Ford Focus which by all accounts is sublime. Volvo’s engineers have stiffened the suspension and given the car a wider track than the Ford which is truly rewarded in the corners, with the car maintaining a mature feel throughout.
Artwork doesn’t appear to be affected by the global financial crisis, with Damian Hirst selling some of his work for £111 million in two days. The Volvo C30 starts at £14, 750 rising to £22,995 for the top-of-the-range model. Whichever variant you chose, rest assured you’ll be noticed on the road and have far more life in your purchase than Hirst’s shark in a tank.
I am seriously considering the C30 as my next car. Now all I need to do is find a wall big enough to hang it on.
Caffeinated Content – Members-Only Content for WordPress
Andy Warhol once said that art is “what you can get away with”. Art is one of the areas of our culture that divides opinion more than anything else and finds its way into more and more of our buildings and products. One man’s love of the Gherkin building in London is polarised with those who feel it is a blot on the skyline. Increasingly the car world is producing cars that appear to be a direct copy of a child’s scribble in their school book. One company you cannot level this accusation at is Volvo.
The Swedish firm have always put substance over style and produce bricks on wheels that are super safe, super reliable and super practical. Even the ‘hot’ performance version of their estate – the T5 looked virtually identical to the base model, it just happens to be so fast and usable the police in Britain all use them. It’s ever so boring to look at though. In fact I’d rather have the police version – at least all the high visibility stickers and chequered side panels give it a bit more flair. The blue lights would get me to work far quicker too I’m sure.
Imagine my surprise this week then when the brochure for the new Volvo C30 was waiting for me when I got home. Let’s just say the bruise on my head from when I fainted is healing well, thanks for the concern. You see, all I said above has seemingly been rendered irrelevant. Art for the road and for the masses is here, and it’s a Volvo. The realisation that the world wasn’t flat I’m guessing was a bit of a shock, but it couldn’t have been too dissimilar to the first time I opened the Volvo brochure.
Volvo have played safe with the front end of the C30, giving it the usual executive look of the Swedish manufacturer and then gone bonkers with the rest of it. Describing the C30 is like attempting to describe a Monet painting, but I’ll try my best. It looks a bit hazy with long, broad brush stokes and can only really be appreciated from a distance as up-close shows the flaws in the work. The Monet isn’t bad either.
Seriously though, the C30 is brilliant to look at. The rear end is the perfect ying to the front end’s yang. The lights start where you’d expect them to, halfway up and on the curvaceous bulge that grows as it travels from the bonnet to the back end. The lights then go on an upward journey that goes all the way to the roofline. A spoiler joins the two sets of lights and will probably add down force if you ask Volvo. For me it just adds the touch of perfection on an already stunning view of the car. Forget Kylie Minogue and J-Lo, the C30 has the best rear end I’ve ever seen.
The Volvo C30 sits comfortably in two markets thanks to its styling. It’s a coupe one minute and a funky hatchback the next. The danger with any car that attempts to be two things at once is that it fails to do a good enough job with either. Thankfully the C30 is happy to oblige to whichever need you’re after. Volvo being Volvo, they offer so many engine and trim options that you can transform the C30 into a snarling tarmac eating Coupe or economical family hatchback with a tick or two on the options list.
Obviously one look at the C30 screams ‘practicality not considered’ which is partially true. Other competitors in its class offer more rear legroom and boot space but bland styling so it’s the compromise you’ll have to make one way or the other. The C30 drives very well and has a similar chassis to that of the Ford Focus which by all accounts is sublime. Volvo’s engineers have stiffened the suspension and given the car a wider track than the Ford which is truly rewarded in the corners, with the car maintaining a mature feel throughout.
Artwork doesn’t appear to be affected by the global financial crisis, with Damian Hirst selling some of his work for £111 million in two days. The Volvo C30 starts at £14, 750 rising to £22,995 for the top-of-the-range model. Whichever variant you chose, rest assured you’ll be noticed on the road and have far more life in your purchase than Hirst’s shark in a tank.
I am seriously considering the C30 as my next car. Now all I need to do is find a wall big enough to hang it on.
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03 20th, 2009
Bret Albinson asked:
Do you know what sunglasses are the most popular among celebrities? The answer on this question depends upon the time, the generation and individual tastes of people. If we speak about classical style the fist variant which comes to the head is sunglasses of Jackie O. Those people who have good taste should have such type of sunglasses in their collections. But today tastes are different and this difference can be very big and that’s why it is difficult to determine the most popular celebrity sunglasses. It can be for example Victoria Backham and her husband David. There are also Andy Warhol sunglasses. In general it can be said that sunglasses is such a thing which greatly helps to create the image of rich and successful person. All of us would like to look like our celebrities and with help of proper sunglasses you can rich such effect.
But not all of us have enough money to buy the same sunglasses as our celebrities do. There are not so many people who can freely spend $300-$500 for sunglasses. Fortunately this problem has excellent solution. It is called replica sunglasses. You can buy such sunglasses at ReplicaSunglasses4u.com. Replica sunglasses look like sunglasses of famous designers, but the price is much lower. There a lot of different sunglasses on this site like sport sunglasses, aviators sunglasses, sunglasses for women, men and children, even hologram pucker sunglasses.
One more advantage of replica sunglasses is that they are not pirate copies. Yes, they look like designer sunglasses, but they don’t have false logos and labels. Everything is completely legal.
Caffeinated Content – Members-Only Content for WordPress
Do you know what sunglasses are the most popular among celebrities? The answer on this question depends upon the time, the generation and individual tastes of people. If we speak about classical style the fist variant which comes to the head is sunglasses of Jackie O. Those people who have good taste should have such type of sunglasses in their collections. But today tastes are different and this difference can be very big and that’s why it is difficult to determine the most popular celebrity sunglasses. It can be for example Victoria Backham and her husband David. There are also Andy Warhol sunglasses. In general it can be said that sunglasses is such a thing which greatly helps to create the image of rich and successful person. All of us would like to look like our celebrities and with help of proper sunglasses you can rich such effect.
But not all of us have enough money to buy the same sunglasses as our celebrities do. There are not so many people who can freely spend $300-$500 for sunglasses. Fortunately this problem has excellent solution. It is called replica sunglasses. You can buy such sunglasses at ReplicaSunglasses4u.com. Replica sunglasses look like sunglasses of famous designers, but the price is much lower. There a lot of different sunglasses on this site like sport sunglasses, aviators sunglasses, sunglasses for women, men and children, even hologram pucker sunglasses.
One more advantage of replica sunglasses is that they are not pirate copies. Yes, they look like designer sunglasses, but they don’t have false logos and labels. Everything is completely legal.
Caffeinated Content – Members-Only Content for WordPress
03 20th, 2009
Drew Stevens asked:
(c) 2008 Drew Stevens PhD
Ethics and professionalism are typical concerns of consumers for selling professionals. The independence of the professional provides instant scrutiny. Selling professionals learn to muster diligence given constant observation. That said, professionals must maintain patience when dealing with difficult clients and the plethora of sales issues.
Every profession contains issues and selling is no exception. One prevalent thematic issue is client pet peeves. These issues are not only exasperating to the selling professional but serve as closing obstacles. Identification of these issues can aid in daily efficiencies.
Unreturned telephone calls. Nothing is more exasperating then consumers that do not return phone calls. In the day of spontaneity and speed to market, response times are critical. Selling professionals do no call simply to sell product but to follow up on imperative information. Nothing is more disturbing to a professional than a lack of response. Leave the message and move to the next prospective client, unresponsiveness will only anger the saleperson. Lamenting over unresponsiveness creates negative energy. Move your attention to positive areas; negative energy simply exerts energy that is more negative. Hurry up and wait. The idiom delays after a quick activity. Conflict occurs from an indecisive decision maker or simply happenstance. However, the conflict occurs more often then not. Selling professionals benefit with calls to action and deadlines, instruct prospective clients that proposals, agreements and other paper work require 24-hour decisions; failure to comply terminates any current agreement. Hold consumer’s accountable, desire their representatives.
Duck and hide. Avoidance avoids conflict. There is a systematic issue in today’s culture; consumers do anything to avoid conflict. Rather than confront selling professionals and issues such as price etc, consumers simply avoid conflict. Prospective clients are now using current technology to avoid their sales person. Consumers desire people they can trust and respect, so do selling professionals.
Incorrect information. There is no purpose in leading selling professionals astray with poor and useless information. Selling professionals are like great detectives, if pushed they eventually discover pertinent data, however nothing is more disrespectful then lying.
Hiding the decision maker. Sales people have an ethical obligation to meet with the person actually deciding on the investment and has responsibility for the decision. Gatekeepers delay the sales process and provide too many impediments in reaching the decision making, causing unneeded time and money. Decision makers require value to alleviate issues that inhibit profits and productivity. There is no reason to hide the one person that can make the decision that benefits the entire organization. Sales costs increase when others inhibit the process and progress.
Caesar Syndrome. Andy Warhol once stated that everyone in their lifetime is due 15 minutes of fame. With selling professionals, fame is not an option. Selling professionals exist to fulfill the wants and needs for clients. Clients have more information with the proliferation of the internet, however while content is king, consumer self worth is not part of the selling process. Selling professionals provide value in the information shared not helping to increase consumer ego.
Today’s competitive environment contains plentiful impediments for success. However, none is more aggravating then the presented issues. Consumers offer a myriad of challenges. Personalities will clash, individuals not comprehend value, and products appear wearisome. Yet, in an era of ethics, character and accountability, professionalism is still required. Obstacles are part of the selling game, but today’s client makes it too difficult.
Caffeinated Content – Members-Only Content for WordPress
(c) 2008 Drew Stevens PhD
Ethics and professionalism are typical concerns of consumers for selling professionals. The independence of the professional provides instant scrutiny. Selling professionals learn to muster diligence given constant observation. That said, professionals must maintain patience when dealing with difficult clients and the plethora of sales issues.
Every profession contains issues and selling is no exception. One prevalent thematic issue is client pet peeves. These issues are not only exasperating to the selling professional but serve as closing obstacles. Identification of these issues can aid in daily efficiencies.
Unreturned telephone calls. Nothing is more exasperating then consumers that do not return phone calls. In the day of spontaneity and speed to market, response times are critical. Selling professionals do no call simply to sell product but to follow up on imperative information. Nothing is more disturbing to a professional than a lack of response. Leave the message and move to the next prospective client, unresponsiveness will only anger the saleperson. Lamenting over unresponsiveness creates negative energy. Move your attention to positive areas; negative energy simply exerts energy that is more negative. Hurry up and wait. The idiom delays after a quick activity. Conflict occurs from an indecisive decision maker or simply happenstance. However, the conflict occurs more often then not. Selling professionals benefit with calls to action and deadlines, instruct prospective clients that proposals, agreements and other paper work require 24-hour decisions; failure to comply terminates any current agreement. Hold consumer’s accountable, desire their representatives.
Duck and hide. Avoidance avoids conflict. There is a systematic issue in today’s culture; consumers do anything to avoid conflict. Rather than confront selling professionals and issues such as price etc, consumers simply avoid conflict. Prospective clients are now using current technology to avoid their sales person. Consumers desire people they can trust and respect, so do selling professionals.
Incorrect information. There is no purpose in leading selling professionals astray with poor and useless information. Selling professionals are like great detectives, if pushed they eventually discover pertinent data, however nothing is more disrespectful then lying.
Hiding the decision maker. Sales people have an ethical obligation to meet with the person actually deciding on the investment and has responsibility for the decision. Gatekeepers delay the sales process and provide too many impediments in reaching the decision making, causing unneeded time and money. Decision makers require value to alleviate issues that inhibit profits and productivity. There is no reason to hide the one person that can make the decision that benefits the entire organization. Sales costs increase when others inhibit the process and progress.
Caesar Syndrome. Andy Warhol once stated that everyone in their lifetime is due 15 minutes of fame. With selling professionals, fame is not an option. Selling professionals exist to fulfill the wants and needs for clients. Clients have more information with the proliferation of the internet, however while content is king, consumer self worth is not part of the selling process. Selling professionals provide value in the information shared not helping to increase consumer ego.
Today’s competitive environment contains plentiful impediments for success. However, none is more aggravating then the presented issues. Consumers offer a myriad of challenges. Personalities will clash, individuals not comprehend value, and products appear wearisome. Yet, in an era of ethics, character and accountability, professionalism is still required. Obstacles are part of the selling game, but today’s client makes it too difficult.
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Bjorn Wiinblad Wall Plate
Author:03 15th, 2009
prabakar asked:
They are passionate collectors of the works of Danish designer, Bjorn Wiinblad (1918-2006). Bjorn is known as the ‘designer’s designer’. His work is diverse and encompasses studio art pottery, glass, silver, posters and costume design. He was the Rosenthal Porcelain company’s chief designer for 35 years and his work has been exhibited worldwide including in London’s Victoria and Albert Museum and New York’s Museum of Modern Art.
Both Elizabeth and Richard are equally passionate about Wiinblad’s work, but in the beginning Elizabeth was the collector. They started collecting five years ago through a Danish contact and now they have more than 150 items in their collection.
Elizabeth and Richard’s collection is throughout their house; it’s something they love to see every day. Elizabeth says the beauty of Bjorn Wiinblad Wall Plate ’s work is that you can buy a lovely little piece cheaply or you can spend a great deal of money on his large statues. Elizabeth and Richard will keep on collecting because they say, “There is always something out there that you haven’t seen before and of course you really feel like you’d like to have it”.
Since the 1950s, Rosenthal studio-line has led the industry in modern, avant-garde design. Internationally renowned designers and artists such as Walter Gropius, Timo Sarpaneva, Tapio Wirkkala, Mario Bellini and Bjorn Wiinblad have all contributed to building Rosenthal’s brand name. Recent collaborations with designers Jasper Morrison and Platt and Young have led to many new product innovations. For example, Rosenthal secured the worldwide license for reproductions of Andy Warhol’s works and designs in crystal and ceramics. Please purchase on online www.etabletop.com
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They are passionate collectors of the works of Danish designer, Bjorn Wiinblad (1918-2006). Bjorn is known as the ‘designer’s designer’. His work is diverse and encompasses studio art pottery, glass, silver, posters and costume design. He was the Rosenthal Porcelain company’s chief designer for 35 years and his work has been exhibited worldwide including in London’s Victoria and Albert Museum and New York’s Museum of Modern Art.
Both Elizabeth and Richard are equally passionate about Wiinblad’s work, but in the beginning Elizabeth was the collector. They started collecting five years ago through a Danish contact and now they have more than 150 items in their collection.
Elizabeth and Richard’s collection is throughout their house; it’s something they love to see every day. Elizabeth says the beauty of Bjorn Wiinblad Wall Plate ’s work is that you can buy a lovely little piece cheaply or you can spend a great deal of money on his large statues. Elizabeth and Richard will keep on collecting because they say, “There is always something out there that you haven’t seen before and of course you really feel like you’d like to have it”.
Since the 1950s, Rosenthal studio-line has led the industry in modern, avant-garde design. Internationally renowned designers and artists such as Walter Gropius, Timo Sarpaneva, Tapio Wirkkala, Mario Bellini and Bjorn Wiinblad have all contributed to building Rosenthal’s brand name. Recent collaborations with designers Jasper Morrison and Platt and Young have led to many new product innovations. For example, Rosenthal secured the worldwide license for reproductions of Andy Warhol’s works and designs in crystal and ceramics. Please purchase on online www.etabletop.com
Caffeinated Content – Members-Only Content for WordPress